Play Along Piano

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Opera

The Naval Battle

CelticRose

0:14	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn	7	0	2	2	75%
	7	0	2	2	75%
View all 16 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn	7	2	2	75%
	7	2	2	75%
	7	2	2	75%
	7	2	2	75%
B Trumpet	6	2	2	50%
	6	2	2	50%
Double Basses	3	1	1	50%
Flute	17	4	2	50%
Piccolo	17	4	2	50%
Timpani	1	0	2	50%
Violas	3	1	1	50%
Violins 1	17	4	2	50%
Violins 2	17	4	2	50%
Violoncellos	3	1	1	50%
F Tuba	4	2	2	25%
Oboe	3	1	1	25%

HWV1A3N44 "Hoffe nur der rechten Zeit" (choral fragment)

edward.maurath

0:40	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	13	3	5	100%
	12	10	2	5	92%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	13	3	5	100%
	12	10	2	5	92%
Organ	12	13	3	5	100%
	12	10	2	5	92%
Soprano	8	1	1	5	77%
Bassoon	9	0	0	5	75%
	9	0	0	5	75%
Celli	7	0	0	5	75%
Kontrebaß	7	0	0	5	75%
Tenor	8	0	3	5	70%
Bass	9	0	0	5	67%
Viole	3	0	0	5	67%
Violini	12	0	2	5	67%
Oboe	9	0	2	5	55%

HWV8A2N12a - "Non me fuggir, crudele" (Dorinda)

edward.maurath

0:33	Est. Play Time
7	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	11	5	2	100%
	5	1	0	2	86%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	11	5	2	100%
	5	1	0	2	86%
Violoncello	4	0	0	3	100%
Alto	9	0	2	3	86%

HWV5A3N17 - "Gran Donna, a cui oggi Castilglia deve" (Evaneo)

edward.maurath

0:33	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Evaneo	10	0	1	3	100%
Violoncello (Continuo)	6	0	0	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Evaneo	10	0	1	3	100%
Violoncello (Continuo)	6	0	0	3	100%
Cembalo (Continuo)	10	13	2	4	92%
	10	6	1	5	92%

HWV8A0N17 - Dai, quando vuoi, recitativo secco

edward.maurath

0:16	Est. Play Time
3	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	4	0	1	3	100%
Harp	4	2	0	1	67%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	4	0	1	3	100%
Harp	4	2	0	1	67%
	3	0	1	1	67%
Harpsichord	10	3	3	2	67%
	2	0	0	1	33%
Apollo	5	0	1	3	67%
Erato	4	0	0	3	67%

HWV8A0N11 - Pingi i trasporti (Apollo) recitativo secco

edward.maurath

0:16	Est. Play Time
3	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	11	7	1	4	100%
	4	0	0	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	11	7	1	4	100%
	4	0	0	2	100%
Apollo	6	0	1	3	100%
Violoncello	4	0	0	2	100%

Richard Wagner - Ride of the Valkryies. Professional production full score. {Unfinished.}

Jamie Holdham

0:07	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	10	0	0	2	80%
BRATSCHEN.	5	0	0	2	80%
View all 16 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	10	0	2	80%
BRATSCHEN.	5	0	2	80%
Violins	10	0	2	80%
Oboe	2	0	2	60%
	2	0	1	40%
3 Klarinetten in A.	2	0	2	60%
Englisch Horn.	2	0	2	60%
A Clarinet	2	0	2	40%
	2	0	1	40%
3 HOBOEN.	2	0	1	40%
BaBklarinette in A.	2	2	2	40%
Violoncelle.	5	0	2	40%
2 groBe Floten.	2	0	1	20%
2 kleine Floten.	2	0	1	20%
Flute	2	0	1	20%
Piccolo	2	0	1	20%

Wagner - Der Fleigende Hollander Overture to Akt 1. [Professional production full score.] [Unfinished.].

Jamie Holdham

0:10	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini.	2	1	0	1	100%
Clarinetti I.II in B (A♭).	2	1	0	1	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini.	2	1	0	1	100%
Clarinetti I.II in B (A♭).	2	1	0	1	100%
Flauti I.II.	2	1	0	1	100%
Viola.	2	1	0	1	100%
Violins	2	1	0	1	100%
Corni I.II in F (Fa).	3	0	0	3	85%
Corni III.IV in D (Re).	3	0	0	3	85%
Fagotti I.II.	4	0	0	4	85%
Oboi I.II.	2	1	0	2	71%
Trombe I.II in F (Fa).	2	1	0	2	43%
Contrabasso.	12	0	5	1	29%
Timpani in D u.A (Re La).	1	0	0	1	29%
Violoncello.	12	0	5	1	29%

Richard Wagner - ENDE.zu.DIE MIESTERSINGER in Full score.

Jamie Holdham

0:21	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	7	0	1	5	100%
Violas	8	1	1	5	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	7	0	1	5	100%
Violas	8	1	1	5	100%
Violoncellos	14	7	2	5	100%
Violins	4	0	0	5	83%
	4	0	0	5	83%
Bass	8	0	1	5	83%
Trombone	3	0	0	1	33%
	5	3	0	4	67%
Bassoon	1	0	0	2	50%
Horn in F	2	1	0	2	33%
	2	1	0	2	33%
C Trumpet	2	0	0	1	17%

Die Miestersinger Prelude to Act III - Richard Wagner.

Jamie Holdham

0:01	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	15	0	3	6	84%
Bratsche.	11	0	3	5	58%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	15	0	3	6	84%
Bratsche.	11	0	3	5	58%
2.	8	0	2	4	32%
1 Violinen.	7	0	1	4	26%
Fg.1	8	0	2	5	26%
Fg.2	9	0	2	7	26%
Hr.1 in D.	8	0	1	5	26%
Hr.2 in D.	5	0	0	3	26%
Hr.3 in D.	4	0	1	3	26%
Hr.4 in D.	6	0	1	4	21%
3 Pos.	7	3	1	2	16%
2 Trp. in D.	3	1	1	3	11%
B.T.	2	0	0	2	11%

Wagner - Siegfried Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:57	Est. Play Time
46	Measures
	1,369Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
Contrabasse.	25	0	11	8	100%
Violins	23	0	9	8	100%
Violoncelle.	27	0	12	8	100%
FAGOTTEN.	28	8	9	8	90%
1. BASS-TUBA. (in B.)	21	2	10	8	88%
CONTRABASS-TUBA.	18	0	5	7	82%
BASS-CLARINETTE. (in B.)	23	0	7	7	75%
2 TENOR-TUBEN. (in Es.)	11	5	2	7	69%
Bassoon	26	0	9	7	68%
3 POSAUNEN.	21	5	7	7	63%
HORNER.	18	0	8	9	53%
2. BASS-TUBA.	10	0	6	7	50%
PAUKEN. (1. PAAR.)	2	0	0	4	43%
TROMPETEN.	8	0	3	5	38%
HOBOEN.	17	0	7	3	35%
CONTRABASS- POSAUNE.	6	0	3	2	32%
BASS TROMPETEN.	8	0	2	6	29%
CLARINETTEN.	17	0	8	4	25%
B♭ Clarinet	16	0	7	3	21%
Englisch Horn.	13	0	6	4	21%
F Trumpet	6	0	3	6	21%
Oboe	14	0	6	3	21%
Horn in F	15	7	5	3	21%
GROSSE FLOTEN.	4	1	1	3	14%
Flute	5	3	1	3	14%
Trombone	10	0	3	6	14%
Kleinen Floten.	2	0	1	2	7%
PAUKEN. (2. PAAR.)	1	0	0	1	7%